HEMINGWAY, Ernest.

£2,000 · Offered by Peter Harrington · No longer available

Death in the Afternoon. First edition of this prolifically illustrated contemplation of bullfighting, handsomely bound by the Chelsea Bindery.In this work, Hemingway introduced his famous iceberg analogy of writing, marking his first published statement on the theory of omission, crucial to the understanding of his fiction: "If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an iceberg is due to only one-eighth of it being above water" (p. 192).Hemingway spectated his first bullfight in 1923 at the festival of San Fermin at Pamplona, igniting a passion he revisited for the rest of his life and inspiring the events of The Sun Also Rises (1926). Explaining the important literary and aesthetic significance that bullfighting held in his heart, Hemingway writes, "the only place where you could see life and death, i.e., violent death now that the wars were over, was in the bull ring and I wanted very much to go to Spain where I could study it. I was trying to learn to write, commencing with the simplest things, and one of the simplest things of all and the most fundamental is violent death" (p. 2). The book, affectionately called the bible of bullfighting, made Hemingway "the leading exponent of the corrida outside the Spanish-speaking world" (Meyers, p. 117).

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