[Cruikshank, George; Agnes Strickland, Robert Hunt, and others]: [Smith, John Taylor, compiler]:

$5,500 · Offered by William Reese Company · No longer available

[ALBUM OF ORIGINAL DRAWINGS, SIGNATURES, AND MANUSCRIPT SENTIMENTS, WITH ORIGINAL CRUIKSHANK INK SKETCHES]. An appealing sort of autograph book compiled by the keeper of the print room at the British Museum, with original sketches and signatures from many of the period's most popular artists and literary figures. John Taylor Smith (1766–1833), himself a printmaker and draughtsman, was appointed to his post at the museum in 1816, and was "an attentive, informed and engaging figure in that role" (DNB). The truth of that statement is is evidenced by the warmth and breadth of the charming sentiments, signatures, and sketches collected here. Some highlights include:1. Three pen-and-ink drawings by George Cruikshank, one signed and dated 22 November 1827, two of Fairy Library subjects2. An original watercolor, dated 21 June 1824, by W. N. Pyne, of a seaport and wharves3. A pen-and-ink drawing of Edward Kean as Othello, by Robert Hunt, R.A. (captioned in Smith's hand)4. A pen-and-ink drawing of a dog's head by William Harvey, signed and dated 30 October 18275. An autograph poem by Agnes Strickland, signed and dated 25 April 18286. A two page account of his ascent of Mount Blanc signed twice by Charles Fellowes7. A two page essay by Baron William Humboldt, signed and dated 16 June 1828 on a third page8. A five page account of a visit with Robert Burns (asserting strongly Burns's complete sobriety during the visit), signed by R. Donne and dated 1 July 18289. A "Bridal Song Written for

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